Painter Suzanne Stryker on
    Planet Erstwild

    James Moore will discuss art and   
    loss with local painter Suzanne
    Stryker, who was the target of art
    thieves twice right here in Fairfield.

    Her story was featured in the Des
    Moines Register and picked up by  
    the Associated Press.

    Painter Suzanne Stryker on
    Tanner & Moore
    She shares her thoughts and
    reflections on Tanner & Moore










Art Theft 101

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    On-line Reactions to Des Moines Register Article
    Van Trike:
    I did a google on this artist - she has a website www.paintyoga.com . Must be the   
    same artist because her website has a page about these stolen paintings. You    
    should see her other paintings online- some of them are really magnificent! I would   
    like to have several of them. I would also like to have the abstract one that was    
    stolen. I wonder if she could do another one like it - her website says she does
    commissioned work. I can't decide which ones I like best though.
    12/22/2007 4:59:13 PM

    Najane:
    I like those paintings. The first one reminds me of Georgia O'Keefe, and       
    the second one seems like a cross between Picasso's cubism phase and
    Jackson Pollack, and a stained glass window. I hope she gets them back.
    12/19/2007 11:54:05 AM

    Traveler:
    I think both pieces are beautiful and it is a shame that someone would have the     
    nerve to take them.
    12/19/2007 8:40:22 AM
Conception - 1st Stolen Painting
(Not mentioned in some articles)


    The Source

    Crimes of My Art
    by Suzanne B. Stryker

    From a global perspective, what are the top four criminal enterprises?  You might correctly guess drugs, money
    laundering, and weapons, and then get stumped. According to Interpol, the world’s largest police organization, it      
    is commonly accepted that art theft is third or fourth. They point out that exact figures for art theft worldwide don’t
    exist, but the FBI estimates that art theft totals about $6 billion a year. To put that into perspective, the total 2007     
    FBI budget was approximately $6.04 billion.

    There is something glamorous about stealing beauty, so movies and books are written about it.  In real life, the
    modern museum robbery can remind you of a James Bond movie, like the robbery of the National Gallery in
    Stockholm in 2000, where the robbers used diversionary explosions, tire-puncture devices, and a getaway boat.  
    The largest art heist in the U.S. happened at the Gardner Museum in Boston in 1990.  In a matter of one hour        
    and twenty minutes, two unidentified unarmed men wearing police uniforms removed 12 paintings worth $300
    million.  The museum is still offering a $5 million reward for the uninsured artwork.

    Art crime has even touched Fairfield, Iowa. During my last move, a thief stole a large abstract painting yet left
    everything else.  But this was not a one-night stand, there was follow up.  About nine months later a painting was
    stolen from one of my art exhibits.  Nine months later another painting disappeared from my  solo show at        
    Entrée Café Gallery. (This is no reflection against any gallery; even the finest museums get robbed.)  If there is   
    such a thing as regularity and discipline in their profession, then should we expect the criminals to strike again         
    in another nine months?

    I realize that my three missing paintings are just a footnote compared to three Picasso paintings that were        
    stolen around the same time as mine. Valued at almost $60 million, only one of Picasso’s paintings has been   
    recovered. Picasso has had more works of art stolen than any other artist in the world, at least 554! My advice to     
    art thieves is to help Picasso maintain that status and leave the smaller artists like me alone!

    People who aren’t interested in art may not think this story is of personal relevance. But I’d like to say something      
    to anyone who does manual labor: I work with my hands; I’m a manual laborer too. I just don’t break a sweat.       
    And my boss, even though she’s myself, is very fussy, demanding, and obnoxious.

    Since my stolen paintings are such an unusual and personal theft, it brings up many thoughts and questions:     
    who would do such a thing, why would they do it, and where are the paintings?

    Should I flatter myself that my stolen paintings are hanging in the robbers' living room?  Or maybe they gave            
    them to their mother or their lover? I want to know, do they like the paintings? Do they go with the couch?

    Really, where are my paintings? They are orphans in the sense in that they are separated from their parent. This        
    is different than having a stereo stolen out of your home -- you didn’t create it. To the extent that an artist gives      
    birth to a painting, the theft of these paintings approaches kidnapping. And the second painting that  was stolen
    took  longer than nine months to create.

    I wonder if my paintings are okay. I want to tell the thieves that, like all fine art, paintings should not be put in       
    direct sunlight or exposed to extreme moisture or temperature changes. God forbid they are hanging in a moldy
    bathroom, by the shower, in direct sunlight!

    Why did they take and take again -- is business that good? Who wants this kind of art? Perhaps I should open a
    gallery there. If the new owners of my paintings like them so much, why don’t they call me directly and cut out the
    middleman?

    It might be easier to steal other things. What does that say about this person? He passes by purses and lap top
    computers and instead takes artwork. Who would brazenly steal paintings as large as 16 inches by 20 inches    
    from Entrée Café Gallery, located in the busiest section of the downtown area, right across the street from the
    Fairfield Post Office?

    Why did the robbers steal those particular paintings from my solo art exhibits? Why didn’t they swipe a nearby         
    oil painting of the same size that was priced twice as high? Did they breeze by the more expensive paintings
    because of personal taste or because of professional incompetence? Did they flunk Art Theft 101? Their fence
    should be furious.

    What is the profile of an art criminal? Is he like in the movies: a charming and sophisticated playboy who’s          
    a connoisseur of fine art and fine women and has a burglar’s mask tucked into his tuxedo?

    Many people have paid their hard earned money for my artwork, but no one has ever dared to take such a risk         
    as going to jail for five years and having this go on their record permanently. The bandits could be considered to     
    be my biggest fan!  On the other hand, selling paintings is how I make my living. I feel slapped and deeply
    complimented thrice, but not so complimented that I don’t want my paintings back. If anyone has any clues,     
    please call me at 641-472-7767. I am offering a $200 reward for their safe return.

    The media has been helpful in getting the word out.  TV and radio stations interviewed me. Numerous papers      
    and websites covered the story, especially after the Associated Press did a piece. The Des Moines Register            
    has an article with photographs of two of the stolen paintings on its website. People have added on-line    
    comments, such as, "I like those paintings. The first one reminds me of Georgia O'Keefe, and the second one
    seems like a cross between Picasso's cubism phase and Jackson Pollack, and a stained glass window.  I hope
    she gets them back.” Other comments, coverage, and color pictures of the stolen goods can be seen at my web  
    site www.paintyoga.com. There you can also view pictures of paintings that the thieves passed over. I am curious     
    if you agree with their choices. Feel free to e-mail me from the Contact Us page.   

    I would like to communicate with the robbers: I want you to know that I will drop the charges if the paintings are
    returned.  Please let me know if my paintings are okay.    By the way, are you really a charming and sophisticated
    playboy with an art history degree?  Do you own a tuxedo?  Also, I want you to know: if you know people that
    appreciate my paintings, let’s work together. Let’s go legit; I’ll be generous with commission.




    Posted by Wade   Dec. 23, 2007  

    Someone must have liked the
    paintings quite a lot - to steal them.  
    The artist should take it as a
    compliment - to steal to keep for
    themselves or to sell- either way     
    the thieves must think the paintings
    were valuable.
IOWA CITY PRESS-CITIZEN

    The Ledger

    Artist asks for two stolen paintings to be
    returned

    Fairfield artist Suzanne Stryker has had two  
    paintings stolen from Entree Gallery and Cafe this year,   
    and is trying to get them back without causing    
    legal problems to the person who took          
    them. "I would hate to see the thief go to
    prison for this because he appreciates my         
    art enough to take the risk of spending five   
    years in prison and having this go on his
    record permanently," said Stryker.
    "This is a compliment in an unusual way,"she continued. "This is   
    different than a TV being stolen - you don't feel complimented        
    because you didn't create it. You are just annoyed because it has      
    value.  So do these paintings. And they are my personal creations that       
    I have labored over; they are like my children." "The paintings," she
    continued, "can be anonymously returned to the gallery from which     
    they were taken, and this way the thief can avoid prosecution."
    "Once a report is filed, if the police catch the thief, they take over,        
    and then there's nothing I can do to prevent the thief from going to       
    jail," said Stryker.                                                           
    "I want to give the thief a chance...I am not
    required to press charges if I or anyone else   
    except the police find the thief or if he returns   
    the paintings."
    Accoring to Stryker, the painting taken in March is "a wild acrylic
    painting. Abstract geometric designs were boldly outlined in thick        
    dark green paint and colored inside with bright lemon yellow, sherbet
    orange, lime green and thalo blue.  Small purple and green creatures   
    with protruding white and pink eyes added a humorous touch."
    The painting valued at $500, is 16 inches by 20 inches, including the
    custom-made frame. The second painting taken from the gallery last
    week, is a watercolor of a large peony in mostly peach and red shades.   
    It is 12 by 14 inches, including a white mat and silver frame.  It is     
    valued at $200.  
    The paintings can be viewed on Stryker's Web site at                           
    www.paintyoga.com.
Suzanne B. Stryker
Crimes of My Art


    The Reader          
    May 17, 2007

    Missing Painting

    Normally paintings aren’t stolen until the artist
    is dead and the painting is worth a few million.  
    However, recently a painting has mysteriously
    disappeared from Suzanne Stryker’s exhibit at
    Entree Cafe Gallery in Fairfield. This is an   
    exotic crime by Iowa’s standards. The painting
    was uninsured. The police said that depending  
    on how the painting was taken, the penalty
    ranges between a monetary fine to five years     
    in prison. According to the police, either way
    someone took a risk here, as it would be
    considered a serious misdemeanor and would
    permanently go on one’s record. Was this a
    painting that someone just couldn’t live     
    without?

    Suzanne said, “I haven’t signed a police report
    yet because the police informed me that after a
    report is signed that they would prosecute
    without consulting me.  I will give the person
    a chance to return it. I will wait until June 15
    before filing a police report.”

    With the custom-made frame, the painting measures 16 by 20 inches. The subject
    matter is abstract.  

    Suzanne remarked, “ I was hesitant to exhibit
    that painting in Fairfield because it is abstract a
    nd sort of wild, and yet, here it was the one
    that was stolen!”

    If you have any knowledge about the painting, please call 641-472-7767.  If you took
    the painting, by June 15 please bring it to Entrée Gallery or mail it to Suzanne Stryker,    
    c/o Entrée Gallery, 203 West Broadway, Fairfield, IA 52556.  Please wrap carefully        
    in thick layers of bubble wrap.
February 11, 2008





    Fairfield artist seeks two stolen
    paintings

    REGISTER STAFF REPORTS
         December 19, 2007

    A Fairfield artist is trying to recover two paintings stolen from
    a local gallery.

    Suzanne Stryker says an abstract painting was stolen earlier
    this year and watercolor of a flower was taken about two
    weeks ago.

    Both paintings were taken from the Entrée Café Gallery
    near the Fairfield Post Office.

    Stryker worked on the abstract painting for six or seven years.
    "I finished it just this year," she said. "This is not like having
    your TV stolen. I have a lot of hours invested in them. To
    me, they are like a child I nurtured."

    Fairfield police say they are investigating.

    More expensive paintings were left untouched.

    Vipul Gupta, owner of the café and gallery, said he knows of no other paintings that
    have been taken. "We are a restaurant, not strictly a gallery," he said. "Hundreds o
    not huge paintings. They were little enough to put in a backpack."

    Stryker said she would drop charges against the culprit if
    the paintings were returned. The abstract work was not her
    usual style and she said she was almost afraid to show it.
    "But I guess if it's good enough to steal it's good enough to
    sell."

    She now plans to paint more of them.

     Stolen Art Resurfaces Years Later
  • Woman in White Reading a Book, a painting by Pablo Picasso vanished in 1940 and
    resurfaced after 65 years.   

  • Many works of art that were looted during the Second World War have only recently
    appeared on the international market, some 60 years later.

  • Still Life with Peaches, a painting by Edouard Manet was stolen in 1977 and recovered
    twenty years later.

    Famous Art Can End Up in Unusual Places

  • In 2003, a woman rescued an abstract canvas that was nestled between two big
    garbage bags in Manhattan, after initially passing it by because it seemed too big for
    her cramped apartment. Three years later she found out that the painting was by
    Mexican artist Rufino Tamayo and was worth about $1 million. The painting was      
    stolen twenty years earlier in Houston. She received a $15,000 reward for her find.

  • Thieves got past closed-circuit TV cameras, alarms, and 24-hour patrols to take a
    Gaugin, Picasso & van Gogh from an English gallery in 2004. After an anonymous tip,
    the paintings were located the next day, damaged and rolled up in cardboard tube
    behind a public toilet. With them was a note that the thieves had intended to highlight
    poor security.

  • From 1995-2001 Stephane Breitwieser stole 238 artworks worth an estimated  $1.4
    billion while traveling around Europe.  Over 60 paintings, including masterpieces by
    Brueghel, Watteau, Francois Boucher, and Corneille de Lyon were shredded by his
    mother and forced down her garbage disposal. Other works of art such as vases,
    jewelry, pottery, and statuettes were thrown into the nearby Rhone-Rhine Canal,    
    where some were later recovered through dredging. She didn’t seem to be aware of
    their value.  A Swiss police officer said, "Never have so many old masters been
    destroyed at the same time."


    Happy Endings to Art Crimes

  • After a long legal battle, finally in 2006, a painting by Austrian artist Gustav Klimt, was
    restored to Maria Altmann, an heir of the prewar owner. Provenance was easy to
    establish because the subject of the painting was Altmann's aunt. The painting was sold
    to cosmetic magnate Ronald Lauder for $135 million. Four other paintings by Klimt were
    also recovered by Maria Altmann and her co-heirs. Collectively, the five paintings sold
    at auctions for over $327 million.

  • Three paintings were stolen from a German gallery in 1994, two of them belonging to
    the Tate Gallery in London. The paintings were recovered by buying them back from
    the thieves with insurance money for them being stolen. In addition, Tate Gallery
    received more from the insurers than it paid to the thieves, profiting about $30 million!

    The Journal
    Reader Comments

    Only in Fairfield would the
    response from the victim   
    of the theft be so peaceful.
    Merry Christmas, everyone.
    Beth Dalbey,
    Des Moines, Iowa
MUSEUM SECURITY NETWORK


    The Reader
    The Only Crime that Leaves You Feeling Loved

    by Suzanne B. Stryker            

    Over nine months ago, a colorful abstract acrylic painting was stolen from my art exhibit
    in Fairfield. But this was not a one-night stand. Recently a second painting was stolen from
    my current solo show at Entrée Café Gallery, right across the street from the Fairfield Post
    Office. This is no reflection against the establishment; even the finest museums get robbed.
    This time the thieves took a watercolor of a peach and red colored peony flower.
    Around the same time, a Picasso painting was robbed from Brazil’s premier modern art
    museum. Picasso has had more works of art stolen (551!) than any other artist in the world.
    My advice to the thieves: help Picasso maintain that status and leave the smaller artists like me
    alone!

    The Des Moines Register interviewed me three times about my art thefts and posted an article
    with photographs on its website. In response to the article, a reader wrote, “I like those
    paintings, The first one reminds me of Georgia O’Keefe, and the second one seems like a
    cross between Picasso’s cubism phase and Jackson Pollack, and a stained glass window.
    I hope she gets them back.”

    I wonder where the paintings are now. Maybe the thieves gave one to their mother and the
    other to a lover. I want to know did they like the paintings? Do they go with the couch?   
    Why did they take and take again is the business that good? Who wants this kind of art?       
    If the new owners like my paintings so much, how about calling me directly and cutting out    
    the middleman?

    Why did the thieves steal those particular paintings and not a nearby oil painting priced twice      
    as high? Was it personal taste or professional incompetence? Did they flunk Art Theft 101?  
    Their fence should be furious.

    Many people have bought my art, but no one until now has ever dared risk going to jail for     
    five years and having it go on their record permanently. The thieves could be considered to      
    be my biggest fan!

    On the other hand, selling paintings is how I make my living. I feel slapped and deeply
    complimented twice, but not so complimented that I don’t want my paintings back. If
    anyone has seen them, please call me at 641-472-7767. I am offering a $200 reward for the
    safe return of the paintings.

    I would like to communicate with the robbers: I want you to know that I will drop the     
    charges if the paintings are returned. Please let me know if my paintings are okay. You could
    contact me through my website, www.paintyoga.com. I am not trying to trick you; email me
    from the library or somewhere where it could not be traced. Also, I am tempted to tell you: If
    you know people that appreciate my paintings, let’s work together. Let’s go legit,
    I’ll be generous with commission.
We recently received correspondence from  artist Suzanne Stryker, and what she had to say shocked us.
“I need your help in catching the thief of my artwork,” she pleads.

It seems that Ms. Stryker, whose paintings were on exhibit at Entrée Café Gallery in Fairfield, has been
struck by lightning twice — a thief has stolen two of her ‘babies,’ as she refers to them.

“Normally, paintings aren’t stolen until the artist is dead and the painting is worth a few million!” she says.
“The paintings were uninsured. This was an unusual crime the first time it happened, and certainly the
second time. I
feel slapped, yet deeply complimented, twice!”

The first painting is a colorful abstract acrylic painting about 14 x 16 inches, valued at $500. The second is
a watercolor of a peach and red peony, measuring 10 x 12 inches, valued at $200. Images of the paintings
can be seen at her Web site, www.paintyoga.com. Her theory is that the thief isn’t a local. In a town of
10,000, she says    that it would be hard for the thief to display or sell the paintings without them being
recognized. She is pleading      for the thief to return the paintings.

“I am not trying to trick the thief,” she says. “I want him/her to know that I will drop the charges if he/she
returns        the paintings — just mail the paintings to Entrée Gallery, 203 West Broadway, Fairfield, IA
52556. What she’s wondering, though, is why did the thief choose one of the paintings over a nearby, more
traditional oil painting       that was priced twice as high.“Was this due to personal preference or
professional incompetence? Art Theft 101 would tell you to steal the most valuable paintings,” she jokes.

We’re glad to see that Ms. Stryker, besides having a big heart by offering to wait to
file charges, is maintaining her sense of humor throughout the experience.              
—Roderick Kabel
A third painting was stolen from artist Suzanne B. Stryker's exhibits.
Red Peony - 3rd Stolen Painting -
RECOVERED             
Pink and White Eyed Creatures - 2nd Stolen Painting
IOWA CITY PRESS-CITIZEN
Reader Comments